Successful wealthy shoe manufacturer John Reeves takes a vacation, leaving his business in the hands of his nephew. While on vacation Reeves runs into his rival's heirs, who are living it up on their dead father's money. He doesn't tell them who he is and gets placed as their trustee. He uses the chance to reorganize their shoe company, becoming a rival to his own nephew. The ne'er-do-wells settle down and become involved in the business. Written by Ed Stephan

To share expenses, unemployed Alabama moves in with also unemployed Bill and Toodles. Bill is hired by a gangster's mistress and ultimately becomes the gangster's bodyguard. Alabama unknowingly applies for a stenographer's job at ...

Arlene Bradford is the quintessential high society bad girl. She's spoiled by Everett Bradford, her indulgently wealthy San Francisco father, who's recently become totally disgusted by her irresponsible antics. She has little regard for the law and the company she keeps. She has her investment broker fiancé Spencer Carlton involved in a stolen bond racket and flirts with local gangster types including the notorious Jake Bellow. The senior Bradford becomes concerned when Arlene begins to involve her half-sister Valkyr in her shady and highly dangerous activities. Written by duke1029@aol.com

Sardonic detective Shane, thrown out of one town for bringing trouble, heads for home and his ex-partner's detective agency. The business is in a sad way, and Shane, who has had the forethought to provide himself with a 250-dollar commission from an old lady on the train, is welcomed with open arms. When pretty Valerie Purvis walks in the next day willing to pay over the odds to put a tail on the man who did her wrong, Shane's way with the ladies looks like paying off yet again. But things start to go wrong when his partner is murdered, and Shane himself comes home to find his apartment wrecked by a gentlemanly crook who comes back to apologise -- and to tell him a fascinating fairy-story about the fabled Horn of Roland that looks like not being so mythical after all. Miss Purvis wants protection. The police want answers. And all sorts of people want the 'French horn'... but Shane is one jump ahead of everyone all the way. Well, almost. Written by Igenlode Wordsmith

Renowned stage actors Basil Underwood and Joyce Arden are partners on and off the stage. An occupational hazard for Basil is that women often fall in love with what they see of him on the stage, he who sometimes indulges that adoration. Basil and Joyces personal life is passionate and tempestuous characterized by constant fighting and making up, which is often continued on-stage under their breaths. After their latest fight and reconciliation, they decide to get married... for the twelfth time. They are determined to make it to the altar this time. But Basil feels he needs to wipe clean the slate first by doing a favor for a stranger, Henry Grant, whose fiancée has fallen in love with him. With his latest script in hand, Basil vows to make Henrys fiancée fall out of love with him by playing the cad. He finds that it may be more difficult than he first imagined when he finds out that the woman in question is Marcia West, the young woman who professed her love to him earlier in the evening and whose fawning he was thinking about indulging. As Basil is at the West mansion thinking if he should play this latest role as cad or romantic leading man, Digges, Basils faithful dresser who is along for the ride, thinks that there is a missing female role in this play, one that would be played perfectly by Joyce. When Joyce arrives on the scene, the question becomes what is acting and what is real life. Written by Huggo

Mary Donnell was married at sixteen to a gangster and soon widowed. She works for unhappily married lawyer Lloyd Rogers. A clients son Jack elopes with her, but his father tracks them down and has the marriage annulled. Mary has a son. Unaware of this, the father remarries; his new wife is crippled in an auto accident. The lawyer, now dying, tells Mary he has left her money for her and her son, Rogers widow suspects her husband may have been the father. Jacks ruthless father , upon learning that he is the grandparent of the child, threatens legal action to gain custody, but his son wants no part in separating little Jackie from his mother. Further, he reasserts his love for Mary and promises he will ask his now handicapped wife, Flip, for a divorce so that Jackie will have a real family. He instructs Mary to pack her belongings and get Jackie ready to leave so that the three can start a new life together. Before Jack has a chance to inform his now-handicapped wife, Flip, of these stunning developments, Flip pays an unexpected visit to Marys apartment. To Marys surprise, Flip makes a heartfelt, selfless plea for her to take Jack and make him happy as (in her words) she could no longer do. Mary is so struck by the offer and by Flips true love for Jack, that she not only decides to cancel her plans to reunite with Jack, but also to ask Jack to adopt Jackie and, along with Flip, give him a proper life in society. Jack enters the apartment and, in a whispered chat with Mary, is prevented from telling Flip that he ever had any intention of leaving her. Written by Ed Stephan

Commercial artist Helen Bauer believes marriage kills romance. She lives with advertising writer Don Peterson. He convinces her to marry him. He later carries on with client Peggy Smith; Helen takes up with Don's competitor Nick Malvyn. In the end, the couple agree to give marriage another chance. Written by Ed Stephan

SPOILER: Reporter Curt Devlin loves sob sister Ellen Garfield but believes women are bum newspapermen. When she learns the identity of a murdered arsonist, he calls it luck. When she goes after the murderer he gets enough evidence to have Maitland Coulter arrested. She finds a bunch of not guilty ballots and publishes the wrong story; he eavesdrops on the jury and gets the correct verdict. After being fired she gets a confession from the real killer and gets Coulter released. Written by Ed Stephan

Dan Bellows finds former stage star Joyce Heath a penniless drunk and takes her to his Connecticut home for rehabilitation. Unaware that she is married to Gordon, he asks his fiancée Gail to free him and offers to sponsor Joyce in a play. When Gordon refuses to give Joyce a divorce, she runs the car into a tree crippling him for life. Joyce urges Dan return to Gail, opens her play, and begs Gordon for forgiveness. Written by Ed Stephan

When his fiancée Valentine dumps him, prominent lawyer Geoffrey Sherwood goes on a bender and winds up married to a stranger, Miriam Brady. They decide to give their marriage a chance. Their landlady, a one-time Floradora girl, offers to help Miriam become refined. Successful again, Geoffrey is approached (if only we were free) by Valentine. Miriam tells Valentine off in no uncertain terms. Geoffrey moves into his club where Valentine's husband tells him he is a fool to leave Miriam. Written by Ed Stephan