A photo montage of Cubans filmed by Agnes Varda during her visit to Cuba in 1963. The film explores Cuban society and culture post-revolution.

While in San Francisco for the promotion of her last film in October 1967, Agnès Varda gets to know a relative she had never heard of before. This unknown uncle lives on a boat, is a painter, has adopted a hippie lifestyle and lov...

A short film of interviews and protests at a rally to free Huey P. Newton.

فیلم از دو قسمت مختلف ساخته شده است.قسمت اول در مورد زندگی در یک دهکده ماهیگری که با ورود زوجی از پاریس دچار تغییر می شود و...

A subtitle warns, "Beware of dark sunglasses." Anna and her lover, whose looks in bowler and bow tie are reminiscent of a young Buster Keaton, kiss chastely on a bridge overlooking the Seine. He dons sunglasses and waves as she runs down a stairway to the rivers edge, then watches in horror as shes knocked flat and loaded into the back of a hearse. In vain, he gives chase. Disconsolate, he buys a large funeral wreath and a handkerchief from sympathetic vendors. He removes the glasses to wipe his eyes and realizes they are the cause of all his woe. He replays the farewell without the glasses. Written by

What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.

A couple find their erotic love mirrored perfectly in the architecture and mosaics of Iran.

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Portraits of the people that occupy the small shops of the Rue Daguerre, Paris, where the filmmaker lived.