A young wood-curving artist is returning to her hometown for the memorial of her father's death. Her youngest sister is missing. A few kilometers away, a police detective (Despina Loukidi) is investigating the murder of a woman.

Five strangers find themselves trapped in an elevator of a luxurious hotel, witnessing the death of a former government official. Just before he dies, he claims that he has been poisoned and urges the five strangers to seek out and expose his killers. They must solve the mystery, that started several years ago. The bond between them will grow strong, and maybe, in the end, they can discover that somehow their presence in the elevator at that particular moment, was more than accidental... Written by Anonymous

Sakis Boulas plays a man who wins a great amount of money but has a car crash before he receives it. As a result, he gets amnesia and doesn't remember anything, not even his own name. However, his three ex-wives learn about the money and start playing nice with him in order to claim everything for themselves. Written by Chris Makrozahopoulos

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Eleni and Konstadinos are two totally different people who are forced to live under the same roof, because they are in the middle of the proceedings of a trial, regarding the ownership of the house. Konstadinos is a strict university professor, while Eleni is a crazy girl who works at a bar. Their different characters put them in constant conflict, but does this mean that they really hate each other? Written by Chris Makrozahopoulos

Based on the classic masterpiece by Alexandros Papadiamantis, Murderess takes place on a remote island in Greece, circa 1900. The story revolves around the dominant mother-daughter dipole and the dominant pattern of women's relationships with each other that initially influence the microcosm of the family and then the microcosm of provincial society. There, Hadoula, trapped in her own mother's rejection, struggles to survive following the dictates of a patriarchal society. Mentally humiliated, amidst the discrediting of her very status as a woman, she wants to be freed not only from her persecutors, but also from her own fate, that of a person who has lost her way. That is why death comes neither as a punishment nor as an atonement. Written by Thessaloniki International Film Festival

Orestes travels to a small island during the pandemic in order to set up a music festival from scratch. Confronted with the small society of the island, he will find himself involved in an extreme love story.