A portrait of the one of our greatest social reformer of our times - Ambedkar. The film documents the period between 1901 and 1956. The film delves more into Ambedkar's life as a reformer, while his personal life is sort of skimmed over. Ambedkar who is the first graduate of his community, the untouchables, is an unassuming young man. All he is concerned about, even when he goes to New York for further studies is that he's here to study, not get involved in political issues and rallies. His exchanges with Afro-Americans, his teachers who support Human Rights and the inclusion of the 14th Amendment in the US Constitution granting rights to African-Americans however rouse the reformer in him. While India is fighting against the British rule on the political level spear-headed by Mahatma Gandhi, Ambedkar wages a social battle against the Upper Caste Hindus. Ambedkar and Gandhi clash in their ideologies. Yet Gandhi admires Ambedkar and it is on his insistence that Ambedkar is made the first Law Minister in Prime Minister, Nehru's rule. The film ends on the note of salvation - where Ambedkar gives millions of untouchables an alternate religion where they find dignity, compassion and equality. He publicly renounces Hinduism and adopts Buddhism. Written by Sujit R. Varma

داستان فیلم درباره ی زندگی روزمره افسران پلیس هندی میباشد که چگونه با توجه به شرایط زندگی مردم شرایط کاری آنها نیز متفاوت میشود و...

گوتلی، پسر یک جاروکش فقیر، رویایی دارد: رفتن به مدرسه. اما مانع او، طبقه اجتماعی‌اش است. یک مدیر مدرسه به او دلسوز است، اما در برابر تبعیض طبقاتی ناتوان است. وقتی آنها پیوندی ناگفته ایجاد می‌کنند، رویای گوتلی امید می‌بیند...

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وقتی یک مرد قبیله ای به دلیل دزدی متهم و دستگیر می شود، همسرش به یک وکیل حقوق بشر مراجعه می کند تا به اجرای عدالت کمک کند....

A husband and wife, it was the time of child marriage when girl child was refused education and pushed into marriage, he chose to educate his wife and were a social reformer they went to campaign for increased rights for underprivileged.

While grappling with the early symptoms of dementia, Shailaja finds herself at the cusp of her past, present and future. She decides to go on a trip to revisit her childhood before her memories ebb away. Shailaja embarks on a confrontational journey that makes her deal with questions related to a traumatic event in her childhood, the mundanity of her marriage, and the complexity of her feature. As Shailaja travels through the sprawling coastline of Konkan with her husband and childhood-love by her side, we see her inching closer towards the forgiveness and liberation she has always yearned for.

A blind old man and a young bank-loan recovery agent, ironically both coming from two extreme weather conditions having zero contribution to the global climate change, fight for their survival. The people of Mahua region, once famous for its farming, have forgotten the earthy scent of rain fall on their soil. Erratic and receding rainfall has led many farmers into debt traps set out as loans offered by banks. Unable to grow food grain anymore and to escape repayments, the only way out is sacrificing their own life. The blind father of a farmer fears his depressed son may commit suicide. Ruthless in his ways to repossess loans, a bank-loan recovery agent arrives with a growing list of suicides attributed to him locally known as 'death god'. The father finds his son's life threatened the pressure of bank repayment. In case of the agent, fierce sea, regular floods and frequent cyclone threatens his family in far off coastal. The blind father meets the agent with a request to defer his son's debt. Angry rejection from the agent and mutual dislike soon develops into an odd partnership. Each wanting to save their own family. Human emotions take over inhuman realities of climate change. Embroiled together, their fates tremble under the pressure of two extreme weather conditions. Dark wind, is not just a fiction. It's an eye-opening portrayal of the suffering of people and it is a wakeup call for the society still unprepared to face the consequences of their actions on climate change.

The movie is about a Hindu priest Pandit Chaturvedi (Pankaj Kapur) who is one of the most highly respected priests in the entire city of Varanasi. A man who lives for his religion, soaked in years of ancient traditions, values and morals. He is a strict, yet lovable man. As any real priest would, Chaturvedi believes he is a disciple of God on this earth to spread God's message and love as he goes about his rigidly ritualistic world of pooja's and teachings. One day his daughter brings home an infant (Krish Parekh) and the mother of the infant has disappeared and cannot be found nowhere. Pandit Chaturvedi is hesitant to have the child around the house at first, and when it's confirmed that the child has been abandoned, he then makes the decision that the child will be raised in the local orphanage. However the Pandit's wife Parvati (Supriya Pathak Kapur) has by now developed a soft spot for the young child and requests her husband if they can keep and raise the child if as their own. Hesitant at first, the priest reluctantly agrees as his wife lies to him that the baby is the son of a Brahmin. Slowly, the child wins over everyone hearts in the house including Pandit Chaturvedi who finds a son, a disciple and a best friend in the child. The story takes a turn when the baby's mother returns to claim him back, and much to the shock of Pandit Chaturvedi, the lady is a Muslim. The child who they'd fondly named Karthik is in fact Mustafa. Pandit Chaturvedi is in a state of shock and utter despair as he feels he has done the biggest sin of his life and feel as if he has betrayed his religion and more-so God. In a state of recluse and regret, Pandit Chaturvedi decides to take a series of different vows and vraths to clear his conscience. However whilst his mind is telling him he has done a grave sin, his heart sorely misses his little son, and the words babuji echo in every corridor of the house. In a series of events, riots break out in the city of Varanasi, Mustafa's mum begs and pleads the Pandit and his family to take back the little boy as he is much safer with them. However the doors of the house are closed for the little boy. What follows next can only be only described as a journey as Pandit Chaturvedi defies what he has believed his entire life if religion and listens to his inner conscience in the rousing finale. Written by Anonymous