Dr. Frankenstein's insane grandson attempts to create horrible monsters in modern day L.A.

A woman and her lover are tortured and killed by her sadistic husband. The pair return from the grave to seek vengeance.

Zulmira is an old mistress. One day, she wakes up obsessed with the idea of dying. All she needs is a good coffin.

On board a riverboat bound for Creek City, singer Jimmie Davis, who is going to become half-owner of a land development company willed to him by his uncle, shares a cabin with traveling salesman Dixie Dalrymple. After Dixie invites Jimmie to perform in a concert he is putting on for the other passengers, Jimmie is persuaded to participate in a crooked card game run by Judge Homer Kenworthy and his associates. However, with Dixie's intervention, Jimmie wins handsomely, then accuses the gamblers of trying to cheat him. A fistfight breaks out and Jimmie beats them. When the boat docks at Creek City, Jimmie is disturbed to see Kenworthy and his cohorts welcomed by Stan Caldwell, Jimmie's uncle's partner, and Jeanette, who runs the Round-Up Saloon. Jimmie decides to take a job with the Sunshine Band, which has been booked at the saloon, in order to find out more about Caldwell. After town developer Caldwell installs Kenworthy as judge, and his associate, Samuel W. Beale, as city marshal, Jimmie discovers that his uncle was killed during a purported holdup and suspects that Caldwell was behind it. He also finds out that Caldwell has been cheating the settlers by selling them dry land and forcing them to buy water from him. Then, when they cannot pay, Caldwell forecloses and resells the land. Still not revealing who he really is, Jimmie challenges Caldwell about a claim belonging to Pop Lassiter. As a result, Caldwell tells Jeanette to pay Jimmie off, but Jimmie turns her down. After Jimmie discovers that Caldwell's men have roughed up Pop, he confronts Caldwell and reveals that he is his partner. Caldwell offers to buy Jimmie out, but he refuses to sell. Jeanette, who is falling in love with Jimmie, warns him to beware of Caldwell. As Caldwell controls the town's lawmen, Jimmie plans to incorporate the town and hold an election to fill the posts. He stages a minstrel show to enlist the support of the citizens and the judge's eighteen-year-old daughter Dorothy, who has just arrived in town, becomes part of the show. During the performance, Jimmie urges the audience to incorporate the town and elect their own officials, but is interrupted by gunfire from Caldwell's men, who try to break up the event. Jimmie tells Dorothy that her father is involved in Caldwell's crooked activities. On election day, Caldwell's men intimidate potential voters from entering the polling booth. Meanwhile, Jimmie rounds up the outlying land owners, who must then deal with barricades that Caldwell has set up at the entrances to the town. After Dorothy persuades her father to stand up to Caldwell, he goes to the poll and urges the citizens to vote for incorporation, but is shot at by one of Caldwell's men. However, Jimmie leads the settlers as they fight their way into town and cast their votes for a legitimate government. The repentant judge turns Caldwell and Beale over to a U.S. Marshal, and the future looks bright for Jimmie and Creek City.

In the fifteenth century, the love of three young people that jealousy, then leprosy separate.

In this sequel, which assumes a more political bent, are blue-collar workers, salesladies, and common laborers.

Karl Heinrich is the heir to the throne of the small European principality of Rutania, but he's a lonely child, not allowed to play with other children and knowing little about life outside the castle. When he reaches college age he is sent to attend the University of Heidelberg, and really starts to enjoy himself for the first time, even falling in love with Kathie, his only friend during childhood and the niece of an innkeeper. However, political turmoil in Rutania forces him to return. He finds that the only way out of declaring war on a neighboring country would be to marry the daughter of its king--but that would require giving up Kathie, the only woman he's ever loved.

Karl Heinrich is the heir to the throne of the small European principality of Rutania, but he's a lonely child, not allowed to play with other children and knowing little about life outside the castle. When he reaches college age he is sent to attend the University of Heidelberg, and really starts to enjoy himself for the first time, even falling in love with Kathie, his only friend during childhood and the niece of an innkeeper. However, political turmoil in Rutania forces him to return. He finds that the only way out of declaring war on a neighboring country would be to marry the daughter of its king--but that would require giving up Kathie, the only woman he's ever loved.

An insomniac man who lives in a sterile urban environment has a strange waking dream one night in which he experiences a surreal adventure incorporating wild nature and sexual freedom.

On their way home from Brooklyn psychiatrist Vic, daughter Julie and sister Stacey run short of gas. They leave they highway to search a petrol station - but end up erring around in South Bronx. A youth gang under the sadistic Ice stops their car and starts menacing them. When Julie drives away in panic, she damages one of their bikes. Ice feels provoked and decides to hunt them down... without fuel the 3 women soon have to flee by foot and defend their life with all means possible. Only the youngest gang member T.J. tries to help them.

This history of the co-op film movements of Sydney and Melbourne comes from two of the major figures in Australian documentary who were intimately involved in the filmmaking groundswell that first emerged in the 1960s. The Ubu group in Sydney, born from the influence of avant-garde filmmaking mingled with a rich range of social movements including unionism, feminism, Indigenous self-expression, and queer theory. A few names should give you a sense of the main participants here: Philip Noyce, Gillian Armstrong, Albie Thoms, Stephen Wallace, Martha Ansara, Essie Coffey, and many, many others. This is the story of the rise of alternative forms of filmmaking, and their fall at the hands of government agencies. It is a story of a road not taken, but of a moment full of possibility when fresh voices and new ways of seeing struggled to establish themselves in Australian cinema. Written by Adelaide Film Festival

A relationship between three best friends-on the verge of their Broadway debut-is put to the test when diverging dreams meet the realities of adulthood.

A 12-year-old girl re-evaluates her relationship with her developmentally disabled parents.