Black and white footage of performances, interviews, and conversations at the Newport Folk Festival from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, who's acoustic and electric. So...

12-year-old George Mellish, tired of beatings for both real and fancied misdeeds at the hands of his foster parents,runs away from home by hopping a freight train and lands somewhere east of the Mississippi River. The first person he meets is Dirty Jim Helliman who lives in a fantastically filthy hovel and with whom George feels a kindred spirit, both having suffered at the hands of a clean woman. It is (really dirty) Dirty Jim that tells George of the mythical, eight-foot bogey man called The Fool Killer. George gets sick and Dirty Jim takes him to town where Mrs.Ova Faversham takes charge of the feverish boy. When Blessing Angeline, Mrs. Faversham's 10-year-old daughter, tells George that her mother intends to return him to his foster parents, George hits the road again. He meets Milo Bogardus, a young Civil War veteran, who has been robbed of his memory by a war wound, and is as lost in his own way as George. THey come upon a camp meeting, where the fanatical Reverend Spotts is conducting a revivalist meeting and during the religious frenzy, George blacks out. He comes to and is alone, and is unaware that the Reverend has been murdered, and starts in his search to find Milo. He finds a home with the Dodds, small town store keepers. When, at supper, Dodds makes mention of the murder of the Reverend Spotts, George blurts out that The Fool Killer done it and tells them the legend as told to him by Dirty Jim. That evening, while George lies in bed, a shadow appears at his window. It is the figure of a tall, gaunt apparition, ax in hand ready to strike---The Fool Killer! Written by Les Adams

سه بازیگر زن سوئدی، تعابیر متفاوتی از نمایشنامه کلاسیک آریستوفان «لیسیستراتا» ارائه می‌کنند...

An aging, world-weary gangster is double-crossed and forced out of retirement when his best friend is kidnapped and their stash of eight stolen gold bars demanded as ransom.

Carlton Rose, a girl known as "the Frisco Doll" escapes to Alaska after accidentally killing her guard.

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This history of the co-op film movements of Sydney and Melbourne comes from two of the major figures in Australian documentary who were intimately involved in the filmmaking groundswell that first emerged in the 1960s. The Ubu group in Sydney, born from the influence of avant-garde filmmaking mingled with a rich range of social movements including unionism, feminism, Indigenous self-expression, and queer theory. A few names should give you a sense of the main participants here: Philip Noyce, Gillian Armstrong, Albie Thoms, Stephen Wallace, Martha Ansara, Essie Coffey, and many, many others. This is the story of the rise of alternative forms of filmmaking, and their fall at the hands of government agencies. It is a story of a road not taken, but of a moment full of possibility when fresh voices and new ways of seeing struggled to establish themselves in Australian cinema. Written by Adelaide Film Festival

After Susan Gilvray reports a prowler outside her house police officer Webb Garwood investigates and sparks fly. If only her husband wasn't in the way.

Explores the reality of the inmates of California State Prison's Progressive Programming Facility, unique in it's kind, known as Yard A. This experimental prison yard focuses on self-improvement. Most of the inmates are serving life sentences without the possibility of parole, and were sentenced in the early teens.