Rebooting is a series that is currently airing to success on Sunday prime time, in which a mundane woman gets the unbelievable chance to redo her banal life. Scripted by a very popular Japanese comedian whos forte is detailed descriptions of the daily events that are extremely relatable and humorous to audiences, the story revolves around a 33-year-old single woman working at the local city hall. One day, she gets hit by a car and dies but finds herself in an empty white room where a clerk files her death and guides her towards a door to her next life as a giant anteater. If she declines that choice and chooses to re-live the same life she had lived as a human being but work hard to gain extra points by doing better than her past life, she will again be reincarnated as a human being. She chooses the latter to take control of her karma and reincarnation, and her second go at life begins; however, things do not go as planned and when she dies again and faces the same decision-making process, she decides to re-live her same life once again, only to find out a huge surprise that she is not the only one going through multiple reboots of life. This time-leap human comedy depicts bizarre daily occurrences at a spectacular scale with an unimaginable ending. Written by Japan Program Catalog

Based on the manga of the same name by Asami Rito, this work is a human crime suspense story about a daughter whose former police officer father was killed on Christmas Eve, as she pursues the truth using a left-behind letter as her clue. The letter contains the word enzai (falsely accused), and two cases - one from the present and one from the past - become intertwined. Hirose plays Yamashita Komugi, a university student who has lived a modest life alone with her father since losing her mother. She discovers that the person arrested for her father's murder is the only son of a man whom her father had arrested 22 years ago as the perpetrator of a family massacre case. Matsuyama has been cast as Matsukaze Yoshiteru, a lawyer who investigates the case alongside Komugi. While he strives to live an upright life, he's a peculiar character who tends to be overly logical and speaks more than necessary, yet he also has a caring side that makes it impossible for him to turn a blind eye to others' troubles. One day, when Komugi visits him informing him that his name was in the letter left behind, he decides to help her. Written by Drama-Otaku

One winter day, the four Takezawa sisters ikebana teacher Tsunako, housewife Makiko, librarian Takiko and waitress Sakiko get together for the first time in a while. Takiko suspects that their aging father, Kotaro, has a lover and child. While the other sisters find this unbelievable, they promise to keep this from their mother, Fuji. However, this commotion brings to light various conflicts and secrets that lurk in the womens lives.

On the night before 'Black Friday,' which is the one of the busiest commerce days, a cardboard box, that is delivered from the world's largest shopping site, explodes. Soon after, a series of mysterious explosion cases occurs. The entire nation becomes terrorized by the shocking events. Erena Funado has just began to work as the center director for a large distribution warehouse that covers three-quarters of the Kanto area. Erena must gain control over this unprecedented situation with team manager Kou Nashimoto.

Mikoto Misumi (Satomi Ishihara) is a pathologist at UDI (Unnatural Death Investigation) Lab. She can't stand neglecting unnatural deaths and believes there must be a truth behind the deaths. Team members that work with her are autopsy doctor Kai Nakado (Arata Iura), recorder Rokuro Kube (Masataka Kubota), clinical test technologist Yuko Shoji (Mikako Ichikawa), and UDI director Yasuo Kamikura (Yutaka Matsushige). Written by AsianWiki

Kouichi Miyazawa runs a small, but longstanding company which makes tabi (traditional Japanese socks). He is the CEO of the fourth generation company with about 20 employees. Due to a decrease of demand for tabi, the company is struggling to keep afloat. Kouichi thinks about launching a new product line: running shoes. For the company's survival, Koichi begins to develop running shoes using their accumulated knowledge for making tabi.

A single father desperately tries to return to 1986 after somehow arriving in 2024, where his Showa-era ideas come across as completely inappropriate.